The songs which you or your teacher selects for you should also reflect your emotional range. For example, giving a 10-year-old a song such as ‘Hello Young Lovers’ from The King and I is not emotionally appropriate, even though the technical demands of that song may be reasonable for a young singer. Adopting an holistic approach to training the singing voice is advisable right from the outset; emotional and technical content of songs should go hand-in-hand, and be appropriate to a singer’s age and stage of development. If you are a teacher of singing, then repertoire choice is one of your most important tasks.
The voice’s stages of development fall roughly into the
following age ranges. Each has a corresponding physical set-up for the voice,
which produces its own particular type of sound.
·
Baby/Toddler (from birth to approximately age 4)
·
Childhood (5 to 8 years)
·
Pre-Puberty (8 to 11 years)
·
Puberty (11 to 15 years)
o Boys
o Girls
·
Adolescence and Young Adulthood (16 to 19 years)
·
Adulthood (20 to 35 years)
·
Later Adulthood (35 to 50 years)
·
The Ageing Voice (50 onwards)
Ross Campbell
Professor of Singing, Royal Academy of Music, London
Managing Director & Head of Singing & Music, Musical Theatre UK, London
MTI Award Winning Author for ABRSM Songbooks 1 - 5
1-to-1 Vocal Training & Consultations available
www.rosscampbell.biz
www.musicaltheatreuk.com
www.dailysingingtips.com
Professor of Singing, Royal Academy of Music, London
Managing Director & Head of Singing & Music, Musical Theatre UK, London
MTI Award Winning Author for ABRSM Songbooks 1 - 5
1-to-1 Vocal Training & Consultations available
www.rosscampbell.biz
www.musicaltheatreuk.com
www.dailysingingtips.com
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